![]() The piece is connected to a series Gribbon showed in London a year ago where she paired her own work with work from the estate of French filmmaker Agnès Varda. “We talked about ideas, and the painting happened really organically,” Gribbon said. Gribbon requested Born to Die, and discovered that Del Rey was a fan of her work. Less extensive than those exchanges, but still significant, were those between Jenna Gribbon and Lana Del Rey. Dre outfitted in armor the two met and spoke extensively. Some artists met with their musical counterparts to discuss the project. Each artist designed the cover for one album, with the exception of Damien Hirst, who did covers for all 12 Eminem albums as well as three of his signature pill cabinets to house them. The Interscope project worked in different ways for the various artists involved. “Look at Jay-Z and Puffy- these guys are real collectors.” A few years ago, Puffy bought at auction a Kerry James Marshall painting for a record $21 million. “This marriage of music and this art is really taking place” right now, Abraham said. “Josh is a rare bird where he is into art and is talented in music, a real hybrid guy,” Iovine said. (To promote the project, Interscope brought in yet another producer and art collector, Swizz Beatz, who also appears on ARTnews’s Top 200, and who made a short video for the Interscope project.) Abraham has been collecting art since the early 2000s, when he was an independent producer, his first purchase a Yoshitomo Nara from 2001. To match artists with musicians, Iovine and Janick brought on a fellow producer and art collector, Josh Abraham, founder of the music publishing company Pulse. And it’s also something that will probably be impossible to duplicate.” What Interscope has done here is brought in something that is sort of bubbling out there, but now they’ve galvanized into this one giant piece of work. ![]() It used to be a competition, where the artwork was as important as the album. “I think this project is going to inspire a lot of artists to refocus on their album artwork. “What Interscope does is try to get out in front of something that is going to happen,” Iovine said in an interview. And while LA Times art critic Christopher Knight has raised legitimate questions about the ethics of museums presenting such projects, the scale of the project itself, and the caliber of the artists involved, could have a wide-ranging influence on the nexus of visual art and music. Why is that?”Īn exhibition of the original artworks for the albums at the Los Angeles County Museum of Art opens to the public next week. In that 2019 Times interview, he compared today’s music unfavorably to today’s art, saying of his Ruscha Flag: “This painting says more than any song that I’ve heard in the last 10 years. He has also appeared on ARTnews’s Top 200 Collectors list. Since he retired from Apple in 2018, Iovine has become an art collector of note, donating a large Mark Bradford painting to the Los Angeles County Museum of Art in 2018, and commissioning Ed Ruscha in 2017 to create the painting Our Flag, which was subsequently shown at the Brooklyn Museum. ![]() In 2019, in an interview with the New York Times, he expressed skepticism about streaming as a model. Dre, was partly responsible for the development of Apple Music. Iovine, who has said he got the 30th anniversary project idea from Justin Lubliner of Darkroom Records, has become known for straddling the analog and digital music worlds: from the 1970s to the early 2000s, Iovine was responsible for numerous iconic albums, then, in 2014, he left Interscope for Apple and, with his business partner Dr. The album project is something of a return to form for Interscope founder Iovine, who worked on it with his handpicked successor at Interscope CEO John Janick, and it merges their two passions, music and art. The albums have been reissued in editions of 100 they are priced at $2,500 apiece, and proceeds from their sales will go to Iovine’s charity, the Iovine & Young Academy at the University of Southern California In the largest artist/album cover project to date, Interscope records is celebrating its 30th anniversary by enlisting 47 celebrated contemporary artists to make covers for the albums in Interscope’s catalogue. Lately, however, vinyl has been making a comeback, and with that, perhaps, may come a wave of artist-designed album covers. What Do We Want from Art History? Shows Around New York Expand the Canon, With Varying Successīut if it’s harder to recall those more recent ones than it is the Warhol covers, that’s partly down to the ways in which many of us consume music nowadays, with the physical album fading amid the rise of digital streaming services like Apple Music, Amazon Music, and Spotify.
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